Limited-edition 2600 Gray Meanie with True Spring Reverb

Few synthesizers are as celebrated as the original 2600, and now Behringer has brought the venerable semi-modular workhorse to the masses in an affordable 8U rackmountable format. Based on an ultra-rare early 2600 with a dark gray fit, the Behringer 2600 Gray Meanie leans into its normalled signal path and patch-point architecture to provide intrepid synthesists with a powerful sound creation platform. Whether you’re chasing classic synth sounds or concocting future-facing musical manifestations, the Behringer 2600 Gray Meanie arms you with a wealth of audio design tools, including three beefy VCOs, a multimode VCF, mountains of modulation, and inexhaustible routing options. With 78 faders and switches, 93 patch points, and Eurorack compatibility, the Behringer 2600 Gray Meanie has challenged synthesists to tap out its creative potential. So far, we can’t, but maybe you can! Totally authentic and absolutely absorbing, the Behringer 2600 Blue Marvin is a sonic wonderland for analog aficionados and modular marauders alike.

Authentic re-creation of a synth legend

Behringer dug in deep to meticulously replicate the original unit’s analog circuitry, and it shows. From its vintage-style voltage-controlled oscillators, filters, and amplifier to the modular patch-point architecture and normalled signal paths (which allow for incredible sound-design flexibility), the Behringer 2600 Meanie gives old-school-synth enthusiasts a truly authentic vintage semi-modular experience. Plus, it’s completely compatible with modern Eurorack setups, supplying an unreal launchpad for next-level sonic manipulation.

Patch-point architecture promotes sonic exploration

In the early days of modular synthesis, systems were massive, wall-filling monstrosities that were typically relegated for use in academic facilities or recording studios. When the 2600 hit the scene in 1971, it presented artists with a way to bring the awesome power of synths to the stage. Moreover, it served up a normalled signal-path for players who wanted to access sounds quickly without having to physically patch together the modules using patch cables. With its semi-modular design, the Behringer 2600 Meanie sounds spectacular just using the hardwired pathways. However, if you want to start getting experimental, just break out your trusty patch cables and see where serendipity takes you!

Behringer 2600 Gray Meanie Analog Semi-modular Synthesizer Features:

• Authentic mono semi-modular synthesizer with 3 analog oscillators with 4 waveforms
• Limited-edition based on an ultra-rare early version of the 2600
• Normalled signal flow with 93 patch points
• Pure analog signal path based on legendary VCO, VCF, and VCA designs from the 1970s
• Pulse width modulation (PWM) on OSC 2 and OSC 3
• Mono and duophonic voice modes
• 2 VCF modes: 4-pole 4012 and 4-pole 7072
• Dedicated LFO with square and triangle waveshapes
• White/pink/low-frequency noise generator; sample & hold
• Ring modulation, lag, and voltage processors
• ADSR envelope generator and AR envelope generator, featuring time factor control
• True mechanical spring reverb
• Comprehensive USB/MIDI and CV connectivity
• 63 faders with dimmable unicolor LEDs and 15 switches
• Portamento and interval latch
• 1/4-inch and 3.5mm Stereo Outputs
• Preamp input for processing external audio signals
• Headphones out with level control
• Roadworthy all-metal 8U rackmountable chassis

Special Edition Semi-Modular Analog Synthesizer with 3 VCOs, Multi-Mode VCF and Spring Reverb in 8U Rack-Mount Format
Features:
• Authentic reproduction of ultra-rare ARP* Grey Meanie circuitry from the ‘70s with specially selected opamps and transistors
• 3 VCOs, each with LFO mode, FM inputs and multiple wave-shape outputs for an awe-inspiring palette of tonal possibilities
• Incredible range of modules including ring modulator, lag processor, sample & hold, Schmitt trigger, and envelope follower
• 93 patchable inputs/outputs for the ultimate in configuration flexibility